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      <image:caption>World Press Photo 2018 Exhibition, De Nieuwe Kerk, Amsterdam 
© Carla van de Puttelaar</image:caption>
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      <image:caption>A young woman learns to float in the Indian Ocean off of Nungwi, Zanzibar.</image:caption>
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      <image:caption>Swim instructor Kazija, 22, teaches Kijini Primary School students how to float in the Indian Ocean off of Muyuni, Zanzibar.</image:caption>
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      <image:caption>Kijini Primary School students learn to float, swim and perform rescues in the Indian Ocean off of Muyuni, Zanzibar.</image:caption>
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      <image:caption>Swim instructor Siti, 24, helps a girl float in the Indian Ocean off of Nungwi, Zanzibar.</image:caption>
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      <image:caption>Kijini Primary School students walk to shore after their lesson in the Indian Ocean off of Muyuni, Zanzibar.</image:caption>
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      <image:caption>Kazija teaches girls how to kick their legs in the water in Muyuni, Zanzibar.</image:caption>
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      <image:caption>Students rest on shore after their lesson in Kendwa, Zanzibar.</image:caption>
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      <image:caption>Full-length swimsuit tops hang on a clothesline outside the home of Kazija’s mother in Nungwi, Zanzibar.</image:caption>
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      <image:caption>Swim instructor Chema, 17, snaps her fingers as she disappears underwater in Nungwi, Zanzibar.</image:caption>
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      <image:caption>Students line up on shore after learning to swim and perform rescues in Muyuni, Zanzibar.</image:caption>
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    <loc>https://www.annaboyiazis.com/the-climate-generation</loc>
    <lastmod>2025-12-02</lastmod>
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      <image:caption>Photographed for The New York Times Magazine. Reporting by Charley Locke.</image:caption>
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      <image:caption>Obama Mchembe riding the dala dala, or public bus, to school before sunrise on October 15, 2024 in Toangoma, Tanzania.</image:caption>
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      <image:caption>Obama Mchembe, 15, under the mosquito net on his bed on October 13, 2024 in Toangoma, Tanzania.</image:caption>
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    <loc>https://www.annaboyiazis.com/cut-and-dried-out</loc>
    <lastmod>2026-01-05</lastmod>
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      <image:caption>Photographed for ESPN. Reporting by Brett Okamoto.</image:caption>
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      <image:caption>Dillashaw has a long way to go in order to hit the scale at 125 lbs, and riding the bike at the California home of his strength and conditioning coach Sam Calavitta keeps him moving in the right direction.</image:caption>
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      <image:caption>Dillashaw sits inside an infrared sauna in the garage of his home. It is three weeks from fight night, and he weighs 139 lbs with 8 percent body fat.</image:caption>
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      <image:caption>Dillashaw hits mitts with kickboxing coach Duane Ludwig in the garage.</image:caption>
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      <image:caption>Dillashaw trains with resistance bands outside the garage of his strength and conditioning coach Sam Calavitta’s Yorba Linda, California, home.</image:caption>
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      <image:caption>Dillashaw trains on a hand ergometer while his strength and conditioning coach Calavitta increases difficulty.</image:caption>
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      <image:caption>Calavitta demonstrates a lift for Dillashaw as part of one of his daily workouts. Calavitta developed a computer algorithm to safely and systematically aid Dillashaw’s weight cut.</image:caption>
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      <image:loc>https://imageproxy.viewbook.com/998833/c8cfd3243d73189c01fe1180391d7028_hd.jpg</image:loc>
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      <image:caption>In a Huntington Beach, California, gym, Dillashaw is down to 138 lbs, still 13 lbs away from his target weight.</image:caption>
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      <image:caption>Dillashaw and training partner Juan Archuleta, 31, do some strength training with a medicine ball outside of their coach’s home.</image:caption>
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      <image:caption>After arriving in NYC, Dillashaw is looking lean. Workouts, media appearances, and promotional obligations take center stage during the final days before the fight. Still weighing 140 lbs, he has water weight to shed before stepping on the scale in less than 24 hours.</image:caption>
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      <image:caption>Supplements sit on the desk of Dillashaw’s hotel room. His supplement routine is a major key to his weight cut.</image:caption>
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      <image:loc>https://imageproxy.viewbook.com/998833/d948225aee935d13623ae7eb67517b63_hd.jpg</image:loc>
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      <image:caption>With two days left to make weight, Dillashaw learns he is 134.6 lbs and has 9.6 more lbs still to drop.</image:caption>
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      <image:caption>Media appearances and other promotional obligations take center stage during the final days before the fight.</image:caption>
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      <image:caption>Vegetables are stacked for juicing in Dillashaw's Manhattan hotel room. These veggies were selected and prepared by Catania Calavitta, Sam Calavitta's daughter who made the trip with him to New York.</image:caption>
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      <image:caption>On Wednesday afternoon, Dillashaw spends some time with his 1-year-old son, Bronson, while also navigating his packed schedule of workouts and media obligations.</image:caption>
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      <image:caption>At 11 p.m. the night before weigh-in, coated in coconut oil to help open his pores, Dillashaw sits in a NYC steambath to shed his last few pounds of water weight.</image:caption>
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      <image:caption>After his steambath while wearing a plastic suit, Dillashaw makes his way to a treadmill to continue his late-night weight cut.</image:caption>
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      <image:caption>Dillashaw tosses two limes back and fourth with his coach to help keep his mind off the task at hand.</image:caption>
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      <image:caption>At 12:18 on Friday morning, Dillashaw stands on a scale where he hits 125.6 lbs, only .6 lbs from hitting weight ahead of his 9 a.m. weigh-in.</image:caption>
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      <image:caption>An exhausted Dillashaw takes a seat on a treadmill after his water cut workouts in the steambath and treadmill.</image:caption>
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      <image:caption>Shedding his many layers of clothing, Dillashaw looks forward to heading to sleep. Dillashaw would hit his 125 lb goal on his way to the hotel, as the last bit of sweat comes off in the car ride.</image:caption>
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      <image:caption>Dillashaw is the first to stand on the scale at 9 a.m. as he makes weight at 124.6 lbs in the UFC official weigh-in at the NY Marriott Downtown.</image:caption>
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  <url>
    <loc>https://www.annaboyiazis.com/second-wave</loc>
    <lastmod>2026-01-05</lastmod>
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      <image:caption>James, 12, ‘swimming’ in Rakai, Uganda.</image:caption>
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      <image:caption>Second Wave at the 2011 City of Los Angeles Individual Artist Fellowship Exhibition, Los Angeles Municipal Art Gallery, Los Angeles</image:caption>
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      <image:caption>Primary school student pointing to numbers on a blackboard in Rakai, Uganda.</image:caption>
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      <image:caption>Fahad, 7, lying on his mother’s grave in Rakai, Uganda.</image:caption>
    </image:image>
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      <image:caption>Foggy house with goat in savanna grassland in Rakai, Uganda.</image:caption>
    </image:image>
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      <image:caption>Young girl grasping the door’s padlock in Rakai, Uganda.</image:caption>
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      <image:caption>Helen, 18, grooming in Rakai, Uganda.</image:caption>
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      <image:caption>Scovia, 19, wearing blonde hair extensions in Rakai, Uganda.</image:caption>
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      <image:caption>Scovia, 14, foraging for mangoes in Rakai, Uganda.</image:caption>
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      <image:caption>Primary school student sharing edible ants in Rakai, Uganda.</image:caption>
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      <image:caption>Eddie, 16, carrying his kid in Rakai, Uganda.</image:caption>
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      <image:caption>Molly and Helen, 14, and Eddie, 10, playing with string in Rakai, Uganda.</image:caption>
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      <image:caption>Helen, 12, resting in a tree, while Eddie, 8, swings on a rope below her in Rakai, Uganda.</image:caption>
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      <image:caption>Rose, 5, wearing ‘goggles.’ Her eyes were sealed open with packing tape, sourced from the empty box she is holding in Rakai, Uganda.</image:caption>
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      <image:loc>https://imageproxy.viewbook.com/998833/d87de9024842e44745f459fee9f874e0_hd.jpg</image:loc>
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      <image:caption>Grace, 15, and Scovia, 12, running in Rakai, Uganda.</image:caption>
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    <image:image>
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      <image:caption>James, 14, standing on his head in Rakai, Uganda.</image:caption>
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  </url>
  <url>
    <loc>https://www.annaboyiazis.com/published-exhibited</loc>
    <lastmod>2026-01-05</lastmod>
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      <image:loc>https://imageproxy.viewbook.com/998833/f708eb577fa83c0506070c9e9a50096e_hd.jpg</image:loc>
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      <image:caption>“On ‘Burkini Island’ Muslim Girls Can Finally Learn to Swim,” 
National Geographic, Australia, Germany, Italy, Spain, USA, 2017</image:caption>
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      <image:caption>World Press Photo 2018 Exhibition, De Nieuwe Kerk, Amsterdam 
© Carla van de Puttelaar</image:caption>
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      <image:loc>https://imageproxy.viewbook.com/998833/be83020dd358bd43ce98df755c6422f0_hd.jpg</image:loc>
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      <image:caption>World Press Photo 2018 Exhibition, De Nieuwe Kerk, Amsterdam 
© Frank van Beek Hollandse Hoogte</image:caption>
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      <image:caption>World Press Photo 2018 Exhibition Poster, De Nieuwe Kerk, Amsterdam</image:caption>
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      <image:caption>World Press Photo 2018 Festival, Westergastheater, Amsterdam 
© Lucy Nicholson</image:caption>
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    <image:image>
      <image:loc>https://imageproxy.viewbook.com/998833/53aadb5000654910bbe9a991aabaf9d0_hd.jpg</image:loc>
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      <image:caption>“The Most Compelling Photos of the Week,” National Geographic, USA</image:caption>
    </image:image>
    <image:image>
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      <image:caption>“The Most Compelling Photos of the Week,” National Geographic, USA</image:caption>
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    <image:image>
      <image:loc>https://imageproxy.viewbook.com/998833/2f91e2064bbe8dbc16cd963dac179818_hd.jpg</image:loc>
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      <image:caption>“Help,” Stern Gesund Leben, Germany</image:caption>
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      <image:caption>Contemporary African Photography Prize 2018 Exhibition, Basel</image:caption>
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    <image:image>
      <image:loc>https://imageproxy.viewbook.com/998833/8c06c59726dbba1adee5a69f6ee168bd_hd.jpg</image:loc>
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      <image:caption>CAP Prize exhibition catalogue, Berlin</image:caption>
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    <image:image>
      <image:loc>https://imageproxy.viewbook.com/998833/215bc680e0a38a0f59fb7917a88a0f60_hd.jpg</image:loc>
      <image:title/>
      <image:caption>World Press Photo 2018 Exhibition, Travessa do Grilo, Beato, Lisbon, Portugal © Photo by Bruno Calado</image:caption>
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    <image:image>
      <image:loc>https://imageproxy.viewbook.com/998833/1fd7afdd4cdd0fb6f9dbd5707b3f62e2_hd.jpg</image:loc>
      <image:title/>
      <image:caption>Reporting by Charley Locke. Introduction by David Wallace-Wells. “The Climate Generation: It haunted their childhood, has upended their adolescence—and will define the rest of their lives.” The Climate Issue, The New York Times Magazine, 2024</image:caption>
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    <image:image>
      <image:loc>https://imageproxy.viewbook.com/998833/bacb51cf22139453ed8e14d9d8633c06_hd.jpg</image:loc>
      <image:title/>
      <image:caption>Reporting by Charley Locke. Introduction by David Wallace-Wells. “The Climate Generation: It haunted their childhood, has upended their adolescence—and will define the rest of their lives.” The Climate Issue, The New York Times Magazine, 2024</image:caption>
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    <image:image>
      <image:loc>https://imageproxy.viewbook.com/998833/482ce9455cc3c2cbb3973aeae4f37005_hd.jpg</image:loc>
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      <image:caption>United Nations of Photography Podcast: A Photographic Life, Oxford</image:caption>
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    <image:image>
      <image:loc>https://imageproxy.viewbook.com/998833/5c6b6084692efe7942655bb3cd2a086f_hd.jpg</image:loc>
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      <image:caption>Dysturb #WomenMatter Campaign Against Violence Toward Women, Preus Museum, Norway © Benjamin Petit</image:caption>
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    <image:image>
      <image:loc>https://imageproxy.viewbook.com/998833/6b10bfcdc24715dfebd4d4a43122863c_hd.jpg</image:loc>
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      <image:caption>Dysturb #WomenMatter Campaign Against Violence Toward Women, Preus Museum, Norway</image:caption>
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    <image:image>
      <image:loc>https://imageproxy.viewbook.com/998833/b94c7bbd21d9125477c97b7014a9f4be_hd.jpg</image:loc>
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      <image:caption>“Tanzania: Conquer the Sea,” GEO Germany</image:caption>
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    <image:image>
      <image:loc>https://imageproxy.viewbook.com/998833/86bffbb7788e92a34bb17f8395a429cf_hd.jpg</image:loc>
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      <image:caption>“The Zanzibar girls swam upstream,” GEO Finland</image:caption>
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    <image:image>
      <image:loc>https://imageproxy.viewbook.com/998833/77b17378a69ffb11e05ead74789c12d4_hd.jpg</image:loc>
      <image:title/>
      <image:caption>“The Zanzibar girls swam upstream,” GEO Finland</image:caption>
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    <image:image>
      <image:loc>https://imageproxy.viewbook.com/998833/3dac9ff1945c9d60e0c830e502999272_hd.jpg</image:loc>
      <image:title/>
      <image:caption>“The Zanzibar girls swam upstream,” GEO Finland</image:caption>
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    <image:image>
      <image:loc>https://imageproxy.viewbook.com/998833/123fb2ba9650e2ff2e913ff946c6dcaf_hd.jpg</image:loc>
      <image:title/>
      <image:caption>“The Zanzibar girls swam upstream,” GEO Finland</image:caption>
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    <image:image>
      <image:loc>https://imageproxy.viewbook.com/998833/10b7660f19190342cdd528a3aecf5218_hd.jpg</image:loc>
      <image:title/>
      <image:caption>“The Zanzibar girls swam upstream,” GEO Finland</image:caption>
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    <image:image>
      <image:loc>https://imageproxy.viewbook.com/998833/270e83631c43f146062d0de3dd4724da_hd.jpg</image:loc>
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      <image:caption>“Zanzibar: On the Girls’ Right Not to Drown,” UNICEF Photo of the Year 2017 Honorable Mention, Germany</image:caption>
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    <image:image>
      <image:loc>https://imageproxy.viewbook.com/998833/83200cd13bd9b63ad84388915feb85f3_hd.jpg</image:loc>
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      <image:caption>”The Mermaids of Zanzibar,” Neue Zürcher Zeitung, Switzerland</image:caption>
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    <image:image>
      <image:loc>https://imageproxy.viewbook.com/998833/762ef244f09ddb439c92594c6cc9e1df_hd.jpg</image:loc>
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      <image:caption>”The Mermaids of Zanzibar,” Neue Zürcher Zeitung, Switzerland</image:caption>
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    <image:image>
      <image:loc>https://imageproxy.viewbook.com/998833/56bc382e14a2e4cd4d75efc74895147e_hd.jpg</image:loc>
      <image:title/>
      <image:caption>”The Mermaids of Zanzibar,” Neue Zürcher Zeitung, Switzerland</image:caption>
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    <image:image>
      <image:loc>https://imageproxy.viewbook.com/998833/5c053f47aec6331f11902c64a3538712_hd.jpg</image:loc>
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      <image:caption>”The Mermaids of Zanzibar,” Neue Zürcher Zeitung, Switzerland</image:caption>
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    <image:image>
      <image:loc>https://imageproxy.viewbook.com/998833/d0ffbac84afb748a09b02b1cc50b89f5_hd.jpg</image:loc>
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      <image:caption>“Zanzibar: Girls Against a Current,” GEO France</image:caption>
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    <image:image>
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      <image:caption>“Zanzibar: Girls Against a Current,” GEO France</image:caption>
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      <image:caption>“Zanzibar: Girls Against a Current,” GEO France</image:caption>
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    <image:image>
      <image:loc>https://imageproxy.viewbook.com/998833/e09af550790e4263ea17b664f7a37dea_hd.jpg</image:loc>
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      <image:caption>“Zanzibar: Girls Against a Current,” GEO France</image:caption>
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    <image:image>
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      <image:caption>“Zanzibar: Girls Against a Current,” GEO France</image:caption>
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    <image:image>
      <image:loc>https://imageproxy.viewbook.com/998833/017ae764236d4871f86215578bbd3ff6_hd.jpg</image:loc>
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      <image:caption>“Finding Freedom in the Water,” Politiken, Denmark</image:caption>
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    <image:image>
      <image:loc>https://imageproxy.viewbook.com/998833/50af3bbb33d2f31e7b9bcde5a9042967_hd.jpg</image:loc>
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      <image:caption>Architecture monograph MORPHOSIS (Phaidon Press). Collaboration with Pritzker Prize Laureate Thom Mayne.</image:caption>
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    <image:image>
      <image:loc>https://imageproxy.viewbook.com/998833/082587cfb71adb7282b4dcefdc175cd1_hd.jpg</image:loc>
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      <image:caption>AMY ADLER (The Museum of Contemporary Art, Los Angeles). Collaboration with artist Amy Adler + curator Connie Butler.</image:caption>
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      <image:loc>https://imageproxy.viewbook.com/998833/10ab89c846154e8fffb16c4415b86b56_hd.jpg</image:loc>
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      <image:caption>BRONSON (The Museum of Contemporary Art, Los Angeles). Collaboration with artist Jessica Bronson + curator Connie Butler.</image:caption>
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    <image:image>
      <image:loc>https://imageproxy.viewbook.com/998833/d3f16fae5a24c589a94afd455b9d4335_hd.jpg</image:loc>
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      <image:caption>THE POWER OF SUGGESTION: NARRATIVE AND NOTATION IN CONTEMPORARY DRAWING (Smart Art Press + The Museum of Contemporary Art, Los Angeles). Collaboration with curator Connie Butler.</image:caption>
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    <image:image>
      <image:loc>https://imageproxy.viewbook.com/998833/97a11f29a326cf3a865e78254236861e_hd.jpg</image:loc>
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      <image:caption>PARADISE CAGE: KIKI SMITH AND COOP HIMMELBLAU (The Museum of Contemporary Art, Los Angeles). Collaboration with artist Kiki Smith + Coop Himmelblau architect Wolf Prix.</image:caption>
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    <image:image>
      <image:loc>https://imageproxy.viewbook.com/998833/67424425a99e3b1c7d01530257db8144_hd.jpg</image:loc>
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